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We will release the full version of PoSG in 2022. Ultimately, by envisioning new ways of existing on an earth that humans no longer dominate, this book engages in what the philosopher Jonathan Lear refers to as a process of ‘radical anticipation’.Paths of Savage Gods is currently under development. Adopting a variety of ecotheoretical approaches, the essays gathered here address several interrelated themes crucial to the climate crisis: the way in which the scalar scope of climate change interweaves local and global, distant past and imminent future, nature and culture the critical importance of acknowledging the complex kinship of the human and nonhuman and the necessity of warning against the devastating environmental losses to come while mourning those that already occurred. The poets that it surveys range from familiar presences in the contemporary Irish literary canon – Seamus Heaney, Derek Mahon, Paula Meehan, Moya Cannon – to lesser-known figures, such as the experimental poet Maurice Scully, contemporary poets Stephen Sexton and Sean Hewitt, and the Irish-language poets Simon Ó Faoláin, Bríd Ní Mhóráin, and Máire Dinny Wren. The book aims at four logically connected targets: 1) spotting Poetic Edda stanzas using a vocabulary calling upon magic for improving our knowledge of ancient Norse magic, 2) checking that no convincing proof of "Christian influences" on Poetic Edda had been provided by the academic community, 3) spotting a few images of Old Norse unconscious archetypes, and 4) finding a few typical instances of the Eddaic meter called Galdralag ("incantation meter").Ĭontemporary Irish Poetry and the Climate Crisis addresses what is arguably the most crucial issue of human history through the lens of late-twentieth and early twenty-first-century Irish poetry. The book ends by sending to the readers a positive of such 'spells' by which "Odinn" self-increased his thoughts and deeds, as given in Havamal.
up to detecting 'magical spells' imbedded within Norse poetry (they are usually dubbed as 'Galdralag"). A few of them have been analyzed in detail and this enabled us to better understand some surprising traits of this mythology. Once this magic is discovered and acknowledged, it becomes possible to infer from Norse poetry the existence and handling of unconscious archetypes within its associated myths. In our modern civilization these "skop" still exist but their magical nature is no longer obvious, though this point can be disputed. Jung: (we find) "magical means everything where unconscious influences are at work." This book reveals the existence of several Norse words specifically dedicated to magic, as are 'sköp', for instance, and it details the magic they carry with them. This book took its start with the author’s realization that what Old Norse calls 'magic' can be understood as 'unconscious', as stated by C.